Real client case reviewed by ConfirmArt for Man on fedora, attributed or related to Fernando Botero. The public page presents selected visual evidence and a rendered report viewer without exposing the private commissioned PDF.
Fernando Botero authentication evidence image 1: Man on fedoraFernando Botero authentication evidence image 2: Man on fedoraFernando Botero authentication evidence image 3: Man on fedoraFernando Botero authentication evidence image 4: Man on fedoraFernando Botero authentication evidence image 5: Man on fedoraFernando Botero authentication evidence image 6: Man on fedoraFernando Botero authentication evidence image 7: Man on fedoraFernando Botero authentication evidence image 8: Man on fedora
Report structure
Section summaries
01
Condition
The condition of Artwork A1, as observed from the provided photographs, indicates several areas of interest that merit discussion. The physical state of the artwork can often provide insights into its history and handling. 0.45 Central region of the artwork 0.45 Top left corner 0.45 Top right corner 0.45 Back side of the artwork 0.45 Bottom region of the artwork Detailed views of Artwork A1's condition As depicted in Figure , the central region of the drawing shows a consistent application of graphite, with the hor
02
Other artworks bundled in same auction, different lots
The artwork designated as A1 was part of a lot from an auction that featured two other drawings, also signed "Botero". These pieces are referred to as "Hombre" (A2) and "Mujer" (A3) for identification purposes. A2 - "Hombre" is signed "Botero 99" and includes a certificate on the verso.
03
Artwork Analysis
In assessing the authenticity of Artwork A1, several discrepancies are noted when compared to acknowledged works by Fernando Botero. These deviations are detailed as follows: Botero typically includes the arms of the subject within the composition, even in portraits, as they contribute significantly to the personality and the narrative of the piece. The absence of arms in A1 is atypical for Botero's style.
04
Signature Analysis
The analysis of the signatures on the artworks labeled A1, A2, and A3 from the recent auction reveals several anomalies when compared to a set of admitted authentic signatures of Fernando Botero from the same period, as cataloged in Table . These discrepancies are critical in the authentication process and are highlighted in the marked images of the signatures. Analysis of marked signatures Q1, Q2, and Q3 from the auctioned artworks A1, A2, and A3.
Signature evidence
Signature analysis reference tables
Signature AnalysisThe analysis of the signatures on the artworks labeled A1, A2, and A3 from the recent auction reveals several anomalies when compared to a set of admitted authentic signatures of Fernando Botero from the same period, as cataloged in Table . These discrepancies are critical in the authentication process and are highlighted in the marked images of the signatur
Authentication evidence
Selected close details from the human review
ConditionThe condition of Artwork A1, as observed from the provided photographs, indicates several areas of interest that merit discussion. The physical state of the artwork can often provide insights into its history and handling.Other artworks bundled in same auction, different lotsThe artwork designated as A1 was part of a lot from an auction that featured two other drawings, also signed "Botero". These pieces are referred to as "Hombre" (A2) and "Mujer" (A3) for identification purposes.Signature AnalysisThe analysis of the signatures on the artworks labeled A1, A2, and A3 from the recent auction reveals several anomalies when compared to a set of admitted authentic signatures of Fernando Botero from the same period, as cataloged in Table . These discrepancies are critical in the authentication process and are highlighted in the marked images of the signatures.
Human authentication
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QR verification
Traceable real case
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Complete front image
Reverse, support, frame and condition details
Signature, inscriptions, labels or seals
Invoices, certificates, provenance or catalogues
Comparative images, references or previous opinions, if available
