Real client case reviewed by ConfirmArt for Framed work attributed to Raphael, attributed or related to Raphael. The public page presents selected visual evidence and a rendered report viewer without exposing the private commissioned PDF.
Raphael authentication evidence image 1: Framed work attributed to RaphaelRaphael authentication evidence image 2: Framed work attributed to RaphaelRaphael authentication evidence image 3: Framed work attributed to RaphaelRaphael authentication evidence image 4: Framed work attributed to RaphaelRaphael authentication evidence image 5: Framed work attributed to RaphaelRaphael authentication evidence image 6: Framed work attributed to RaphaelRaphael authentication evidence image 7: Framed work attributed to RaphaelRaphael authentication evidence image 8: Framed work attributed to Raphael
Report structure
Section summaries
01
Description of the Artwork
The submitted work is a signed and numbered giclée on canvas attributed to Orlando Quevedo (also encountered in distribution labels as Raphael Orlando ). The composition is horizontally oriented and presented in a wide gold frame with an inner dark liner and a pale metallic inner trim; the presentation appears glazed (reflections visible in the submitted photographs). The owner reports the canvas size as 20 1/2" \times 29 1/2" and the framed size as 29" \times 32 1/2" .
02
Technical Observations and Verso (Back Side) Examination
The following remarks address the work's material construction , the surface behavior consistent with a giclée transfer onto canvas , and the visible verso framing/stretcher elements documented in the submitted photographs. Support and image layer (giclée on canvas). The close-up views show a clearly defined canvas weave throughout the image field, with the pictorial layer sitting smoothly over the texture of the textile support.
03
Catalogue Note
1970, Holgu\'in, Cuba) is presented in the secondary market as a Cuban-born contemporary artist whose imagery frequently combines romantic figuration, architectural interiors, staged decorative spaces, musical motifs, and curated object-settings. Art Brokerage's artist profile notes his early awards in youth exhibitions in Havana and Moscow and states that his work was exhibited at the International Art Expo in New York from 2000 to 2002. The examined work fits a recurring Quevedo market profile: a limited edition
04
Signature analysis
The visible lower-right signature reads ORLANDO and is executed in black marker on top of the printed canvas image layer. Based on the close-up photographs and raking-angle views, the ink sits as a surface application (i.e., handwritten ) rather than being reproduced within the giclée image. This aligns with the common market description for Quevedo/Orlando editions as "hand signed lower right." Observed morphology in the examined signature (from submitted photographs).
Signature evidence
Signature analysis reference tables
Signature analysisThe visible lower-right signature reads ORLANDO and is executed in black marker on top of the printed canvas image layer. Based on the close-up photographs and raking-angle views, the ink sits as a surface application (i.e., handwritten ) rather than being reproduced within the giclée image.
Authentication evidence
Selected close details from the human review
Description of the DocumentsThe content of this report is prepared by ConfirmArt.com based on the materials provided by the customer and the comparative reference set supplied in the project folder. High-resolution photographs of the artwork, including front, angled views, close-ups, edition number, signature, and verso framing labels.Verso: frame package, backing, stretcher, and labelThe verso photograph shows a fully finished framing package with a paper dust cover/backing sheet secured around the perimeter by staples. A substantial internal wooden framework is present behind the backing, consistent with a framed canvas presentation (canvas on stretcher housed within an outer frame).Signature analysisThe visible lower-right signature reads ORLANDO and is executed in black marker on top of the printed canvas image layer. Based on the close-up photographs and raking-angle views, the ink sits as a surface application (i.e., handwritten ) rather than being reproduced within the giclée image.
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Complete front image
Reverse, support, frame and condition details
Signature, inscriptions, labels or seals
Invoices, certificates, provenance or catalogues
Comparative images, references or previous opinions, if available
