Real client case
This report was prepared by ConfirmArt.com based solely on the photographic documentation submitted by the customer and the comparative references supplied in the same project folder. Submitted photographs of the questioned painting (overall, side, reverse, and details). Catalogue raisonnés and comparative images of verified authentic, property of ConfirmArt.com
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The available documentation supports an attribution of the work's physical support as a commercially prepared canvas on a wooden stretcher. Multiple reverse markings are consistent with standardized European sizing and supply-chain sourcing: the stretcher is stenciled "60 x 80" (Fig. b), corresponding to a common metric format, and a maker's stamp includes the Italian phrase "TELA FATTA A MANO" (hand-made canvas) (Fig.
The following comparative plates (Figs. -- ) are included as visual reference material drawn from published/reproduced images associated with Pino Daeni and provided in the folder ../auth/ . They are not presented as a substitute for a catalogue raisonn\'e, nor do they constitute documentary provenance; rather, they serve to contextualize recurring iconographic and technical features that may be compared against the present painting.
Because these images are reproductions (rather than direct, in-person examination material), color temperature, contrast, and surface texture may be altered by photography, compression, or printing. Accordingly, the most reliable use of these plates is in comparing macro-level tendencies: compositional balance, iconographic recurrence (women/children/flowers/hats), and general handling logic (atmospheric fields vs.\ focal impasto), rather than exact pigment relationships or fine-grained surface phenomena. 0.48 Terr
The signature on the submitted painting (hereafter Q1 ) departs in multiple, materially significant ways from admitted authentic examples of Pino Daeni's autograph of comparable period. These discrepancies are not minor "hand variations"; they concern the construction logic of the letterforms, stroke sequencing, and the overall rhythm of execution. Signature on the submitted painting (Q1), lower right.
Signature evidence
Authentication evidence
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