Real client case reviewed by ConfirmArt for Saint Andrew, attributed or related to Historic & Old Master Cases. The public page presents selected visual evidence and a rendered report viewer without exposing the private commissioned PDF.
Historic & Old Master Cases authentication evidence image 1: Saint AndrewHistoric & Old Master Cases authentication evidence image 2: Saint AndrewHistoric & Old Master Cases authentication evidence image 3: Saint AndrewHistoric & Old Master Cases authentication evidence image 4: Saint AndrewHistoric & Old Master Cases authentication evidence image 5: Saint AndrewHistoric & Old Master Cases authentication evidence image 6: Saint AndrewHistoric & Old Master Cases authentication evidence image 7: Saint AndrewHistoric & Old Master Cases authentication evidence image 8: Saint Andrew
Report structure
Section summaries
01
Description of the Artwork
The painting presents a solemn, half-length of an elderly, bearded man turned three-quarters to his left (toward the picture's right edge), seated before an open sky of layered cloud bands (fig. He is wrapped in a warm ochre mantle that falls in broad, weighty folds over a dark, nearly black tunic. The head is gently bowed and slightly averted, the eyes cast downward in meditation; the left shoulder is brought forward, while the nearer forearm crosses diagonally and rests on the lap, the hand relaxed but articulate
02
Frame Analysis
The painting is housed in an ornate giltwood frame of Rococo revival taste, with projecting corner and cartouches of moulded composition (pressed gesso) over a softwood carcass (figs. The sight edge is a narrow reeded profile with a plain inner fillet that creates a calm transition to the picture plane. The sculptural, asymmetrical ornament and the continuous, even gold tonality (bronze-powder or oil-gilt with warm toning glaze) are consistent with a late-19th/early-20th-century manufacture, subsequently refreshed
03
Pre-treatment Condition (documented state before conservation)
The picture was painted on a single piece of medium/coarse plain-weave linen carried on a fixed, non-keyed wooden strainer with glued triangular corner blocks (figs. The strainer showed longitudinal checks and historic hardware perforations, together with scattered, old insect exit holes (inactive). The original tacking margins were brittle and locally fragmented; slight slackness and shallow undulations were present, especially along the lower bar.
04
Treatment Performed
All procedures followed current best practice and used stable, reversible materials. The surface was documented in visible, raking, and UV light. Spot solubility tests established safe cleaning and varnish-removal systems.
05
Post-treatment Condition
The paint surface is stable; craquelure is secure with no tenting. Cleaning recovered the cool greys and blues of the sky and the warm ochres of the mantle; modelling in the face and beard now reads with subtlety. The final varnish presents an even satin gloss without bloom.
06
Estimation of Age
The dating below relies on technical and stylistic indicators observed in situ and in the photographs provided: support type and construction, weave character, ground/paint stratigraphy as read at rubbed edges, natural ageing phenomena (craquelure, abrasion, chromatic shifts), and workshop annotations on the reverse (figs. No instrumental analysis (XRF, cross‐sections, FTIR/Raman) was undertaken; the range proposed is therefore conservatorially reasoned rather than laboratory-certified. The painting is on a medium–
Authentication evidence
Selected close details from the human review
Pre-treatment Condition (documented state before conservation)The picture was painted on a single piece of medium/coarse plain-weave linen carried on a fixed, non-keyed wooden strainer with glued triangular corner blocks (figs. The strainer showed longitudinal checks and historic hardware perforations, together with scattered, old insect exit holes (inactive).Post-treatment ConditionThe paint surface is stable; craquelure is secure with no tenting. Cleaning recovered the cool greys and blues of the sky and the warm ochres of the mantle; modelling in the face and beard now reads with subtlety.
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Complete front image
Reverse, support, frame and condition details
Signature, inscriptions, labels or seals
Invoices, certificates, provenance or catalogues
Comparative images, references or previous opinions, if available
